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Video production · Europe

One person.Shot, edited, delivered.

Corporate, creative, and instructional video for companies across Europe. Filming since VHS, made a career of it in Tokyo.

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Shot for
  • Johnson & Johnson
  • BHP
  • NYK
plus brand, music, and event work across Tokyo

The work

The video assets you need, one person handling all of it.

Corporate & Business

Video at your office, work sites, and events. Interviews, brand reels, the footage that makes a business look like itself.

02 films

Direct-to-camera message. Single camera, controlled lighting, tight cut.

Every film on this page

  • Camera
  • Lighting
  • Sound
  • Edit
  • Color grade
  • Delivery

One person on every credit. No crew overhead, one point of contact.

Creative

Music videos, nightlife, and social content. Built for energy and made to be watched all the way through.

03 films

Filmed, edited, and color graded by me.

Nightlife aftermovie at Womb, Tokyo.

Tour-finale aftermovie in Roppongi.

Training & Explainer

Video that teaches. Lessons, training, and motion graphics built to make information clear.

01 film

Instructional lesson with on-screen graphics. Shot, lit, and edited by me.

Have a course or training to film? Motion graphics and explainer work too. Let’s make it

How a project runs

From first call to final file, one person the whole way.

  1. 01Shoot

    At your office, work site, or event. Camera, light, and sound handled by one person, so there is no crew to schedule.

  2. 02Edit & grade

    Cut, color graded, and mixed in-house. You review a private link and leave notes against the timecode.

  3. 03Deliver

    Final files for your site, your presentations, and cutdowns for social if you need them.

Tommy on set in Los Angeles wearing a crew comms headset, during the BE:FIRST music video shoot

Who you work with

I’m Tommy, the DJ with the camera. I’ve been filming since VHS, made it a career in Tokyo, and now I shoot, edit, and deliver for companies across Europe from Rotterdam.

  1. SC 01Orange County

    A camera in the house, early

    My mom worked at GTE, so new gear reached our house before most: VHS camcorders, the internet, and a Sony MiniDisc camcorder that filmed my first trip to Japan. When Japanese class asked for live skits, I wrote, directed, acted in, and edited two short films instead. One was a spoof of The O.C., theme song and all.

  2. SC 02Tokyo

    Travel films

    Moving to Japan, I filmed everything and started editing seriously for YouTube. A trip to Turkey was the first time I packed a full kit and shot it like a production.

  3. SC 03Tokyo, after dark

    The DJ with the camera

    I was DJing in Tokyo’s underground electronic scene, and the camera came to every night out: the DJs, the crowd, the room. Then someone paid me to film their event. Then came a music video. Then a surprise proposal.

  4. SC 04Japan

    Bigger rooms

    Staff interviews for NYK Logistics’ internal, online, and TV videos. Every headliner at Ultra Japan 2019, for the festival’s Instagram. And twice for Diet member Nobuhide Minorikawa: his message to his constituents as a bridge reopened, rebuilt after the 2011 earthquake, then solo photographer at his fundraiser, with former Prime Minister Taro Aso as the special guest.

  5. SC 05Los Angeles

    Remote edits, then product design

    I left Tokyo at the end of 2019 for some time at home before the Netherlands. Then the pandemic stopped live events, so I edited remotely for the Dutch studio Nomobo, including a multi-day Workday production with a remote and local team. Then UX design at Microsoft, on Bing for work, where corporate, education, and government customers search their company’s info, teammates, and files. Then F5, designing the dashboards network and security teams open when something breaks. It’s why every video I make starts with what the viewer needs to understand.

  6. SC 06LA → Rotterdam

    Now

    Los Angeles coordination and production for BE:FIRST’s upcoming music video, the shoot in the viewfinder. Then, at the end of September 2026, the move to Rotterdam I’d planned before I ever left Tokyo.

Same person on every job, from first call to final file. If that’s the kind of help you want, let’s talk.

Since VHS
camera in hand since the camcorder days
Tokyo NL
now working across Europe from Rotterdam
1 contact
from first call to final file

On set

Tommy on set at NYK Logistics in Tokyo, camera on the sofa beside him
Scene
NYK Logistics
Role
Staff interviews for internal, online, and TV promos
Where
Tokyo
Tommy with the Avex team backstage at Ultra Music Festival Japan 2019
Scene
Ultra Music Festival Japan 2019
Role
Interviewed every headliner DJ for Ultra Japan’s Instagram
With
The Avex team, after the final day
Tommy with J-pop band I Don't Like Mondays on the set of their music video We Are Young
Scene
I Don’t Like Mondays, “We Are Young”
Role
Sourced more than half the extras, then on set as one
Type
J-pop music video
Your shoot. Start a project →
Scene
Next up
Role
Shoot, edit, grade, deliver
Where
Anywhere in Europe

The kit

Everything fits in one case.

Small enough to travel anywhere in Europe, so the shoot and the first edit can both happen on location.

A · Camera

Sony

α7R III

Full-frame main camera.

DJI Osmo Pocket 3

Pocket gimbal camera for a second angle and behind the scenes.

B · Glass

  • 16mmf/1.4Sigma DC DN
  • 35mmf/1.4Zeiss
  • 55mmf/1.8Sony

C · Motion

DJI RS 4 Mini

Gimbal for walk-and-talks and smooth moving shots.

D · Sound

DJI Mic 2

Wireless lav mics for clean interview audio.

E · Post

Lenovo Legion 7i

Core Ultra 9 275HXRTX 5070 8GB32GB DDR5

Edit and review on location, not days later.

Adobe Premiere ProUnreal Engine 5

Start a project

Let’s make your video ideas come to life.

Tell me what you’re trying to make and I’ll tell you how I’d shoot it.

Or email directly video@entodigital.io
What are you making?

Goes straight to Tommy and is only used to reply to you. Privacy

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